Limited ed. of 35 copies. Concertina binding with stitched in signatures. Paper collages on some pages. "The paper is a mixture of Fabriano Uno, Guttenberg, Hahnemuhle Ingres, and Canson Mi Tientes. All were pigmented and gelatin sized...with the help of Caren Heft and Jeff Morin. The cover stock is Fabriano Ingres (as found). Cheltenhem is the predominant type-face used, and lino cuts are by the printer." -- Colophon.