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Art Slides
  • All fields: 20th Century Sculpture
(395 results)



Display: 200

    • Venice's Rent Collection Courtyard

    • Guo-Qiang, Cai (1957- )
    • Venice's Rent Collection Courtyard
    • Still image of a crew of nine sculptures working with 60 tons of clay and wooden armatures to recreate the 1965 original work; at ""Aperto Over All,"" 48th Venice Biennale
    • Clay, wooden armatures
    • The Opening of Closed Center; My Diary in Shaker Village

    • Zhen, Chen (1955-2000)
    • The Opening of Closed Center; My Diary in Shaker Village
    • The Opening of Closed Center is a found object installation as seen in the foreground; My Diary in Shaker Village is 27 framed portraits in pastel with text in Chinese ink all along the wall
    • Found objects; pastel and ink
    • Dark Star Park

    • Holt, Nancy (1938- );
    • Dark Star Park
    • Aerial view and detail of Dark Star Park in Rosslynn, Virginia
    • Concrete; Steel; Water
    • Sun Tunnels

    • Holt, Nancy (1938- );
    • Sun Tunnels
    • Interior detail shots of Sun Tunnels
    • Concrete;
    • Black Dragon

    • Abramovic', Marina (1946- );
    • Black Dragon
    • three blocks block of rose quartz, mounted on the wall, with instructions for the public to face the wall, and press their head, heart, sex against the mineral pillows. Duration : endless, photograph documents a woman, with head on block.
    •  
    • Black Dragon

    • Abramovic', Marina (1946- );
    • Black Dragon
    • three blocks block of rose quartz, mounted on the wall, with instructions for the public to face the wall, and press their head, heart, sex against the mineral pillows. Duration : endless.
    •  
    • White Dragon

    • Abramovic', Marina (1946- );
    • White Dragon
    • Large copper panels, mounted in a vertical suspended pane, with foot rests and obsidian head rest for viewers to step up on and lean against. Photo shows viewers doing this.
    •  
    • Mirror for Departure

    • Abramovic', Marina (1946- );
    • Mirror for Departure
    • An image, taken from on top of the mold, in the artist's studio, after the face has been cast in it.
    •  
    • God Punishing

    • Abramovic', Marina (1946- );
    • God Punishing
    • Five large quartz boulders, set in a row down a center hallways, with horse hair holders off to the side.
    •  
    • Mirror for Departure

    • Abramovic', Marina (1946- );
    • Mirror for Departure
    • Two images showing face as it gets placed into the red clay mold as well as an after-image of the clay cast.
    •  
    • Shoes for Departure

    • Abramovic', Marina (1946- );
    • Shoes for Departure
    • Two large chunks of amethysts carved into shoe forms, photo depicts a woman,in artist's studio, in Berlon, in stride with them on her feet.
    •  
    • Inner Sky

    • Abramovic', Marina (1946- );
    • Inner Sky
    • Large iron sculptural form, reminiscent of mountains, welded above three poles, under which a viewer can stand.
    •  
    • Chair for Lovers

    • Abramovic', Marina (1946- );
    • Chair for Lovers
    • Iron love-seat like structure, with large amethyst geodes mounted in the space above the seated pair's heads. Photo show a young couple seated in the piece.
    •  
    • Untitled

    • Friedman, Tom (1965- )
    • Untitled
    • A movie projector made from paper sits atop a paper table.
    • Paper
    • Untitled

    • Friedman, Tom (1965-)
    • Untitled
    • A self portrait carved from an aspirin
    • Aspirin
    • Escape

    • Abramovic', Marina (1946- );
    • Escape
    • Visitors are guided into steel constructions with leather belts by the artist's representatives (Escape Guards) and restrained with their ears covered. Wearing headphones to block out any sound, the visitors willingly remain in position for 25 min.
    •  
    • For Non-Human Use

    • Abramovic', Marina (1946- );
    • For Non-Human Use
    • Transitory objects for non-human use; table set with two glasses of water, with two chairs, set around a table facing eachother with quartz crysals at the bases
    •  
    • Private Archaeology

    • Abramovic', Marina (1946- );
    • Private Archaeology
    • Detail from Private Archeology and what is in each tray, a system of images and writing and lines.
    • Mixed media
    • Untitled

    • Friedman, Tom (1965- )
    • Untitled
    • Pills pictured in the Physician's Desk Reference made from Play-Doh
    •  
    • Untitled

    • Friedman, Tom (1965- )
    • Untitled
    • Nine Total cereal boxes cut into small squares and combined to make one large box.
    •  
    • Reprogramming Levitation

    • Abramovic', Marina (1946- );
    • Reprogramming Levitation
    • Instructions for the public: take your clothes off, lie in a chamomile flower bath and position your head in the direction of the crystal quartz, for three hours. Photos show a man and a woman doing this.
    •  
    • Escape

    • Abramovic', Marina (1946- );
    • Escape
    • Women, in shackles and headphone, in position in the Women's Exercise Yard
    •  
    • Untitled

    • Friedman, Tom (1965- )
    • Untitled
    • A drawing made of an accumulation of dots connected by lines and arrows
    • Ink on Paper
    • Untitled

    • Friedman, Tom (1965- )
    • Untitled
    • A robot made with cardboard and covered with Styrofoam Balls
    • Cardboard, Styrofoam balls
    • Untitled

    • Friedman, Tom (1965- )
    • Untitled
    • Loops of masking tape stuck together
    • Masking Tape
    • Untitled

    • Friedman, Tom (1965- )
    • Untitled
    • The artists had obliterated a photographic image of himself by drawing thousands of arrows which point to different parts of himself directly on the photograph.
    • Ink on C-Print
    • Untitled

    • Friedman, Tom (1965- )
    • Untitled
    • A pencil was completely shaved by a pencil sharpener into one long, continuous spiral.
    •  
    • Untitled

    • Friedman, Tom (1965- )
    • Untitled
    • Nine Total cereal boxes cut into small squares and combined to make one large box.
    • Cereal Boxes
    • Untitled

    • Friedman, Tom (1965- )
    • Untitled
    • Loops of masking tape stuck together
    • Masking Tape
    • Untitled

    • Friedman, Tom (1965- )
    • Untitled
    • A pencil was completely shaved by a pencil sharpener into one long, continuous spiral.
    •  
    • Untitled

    • Friedman, Tom (1965- )
    • Untitled
    • A pencil was completely shaved by a pencil sharpener into one long, continuous spiral.
    •  
    • Untitled

    • Friedman, Tom (1965- )
    • Untitled
    • Loops of masking tape stuck together
    • h. 2cm, circumference 183cm
    • Untitled

    • Friedman, Tom (1965-)
    • Untitled
    • A gelatin pill capsule filled with tiny spheres of Play-Doh
    •  
    • Untitled

    • Friedman, Tom (1965- )
    • Untitled
    • Hundreds of holes drilled in a wooden chair
    •  
    • Untitled

    • Friedman, Tom (1965- )
    • Untitled
    • An Alphabatized list of words with negative connotations taken from the dictionary.
    • Paper
    • Untitled

    • Friedman, Tom (1965- )
    • Untitled
    • A group of different sized records strung together and hung , looks like a top
    • Record albums
    • Paper Octagonal

    • Tuttle, Richard (1941- )
    • Paper Octagonal
    • Installation view of the 2002 exhibition Richard Tuttle: Memento at the Museu Serralves de Arte Contemporanea, Porto, Portugal, showing a paper octagonal on the stairway hall
    • Color photography;
    • Untitled, detail

    • Friedman, Tom (1965- )
    • Untitled, detail
    • An Alphabatized list of words with negative connotations taken from the dictionary.
    • Paper
    • Untitled

    • Friedman, Tom (1965- )
    • Untitled
    • Loops of masking tape stuck together
    • Masking Tape
    • For Beckworth

    • Puryear, Martin (1941- )
    • For Beckworth
    • Domed pyramidal structure
    • Earth, pitch, pine, and oak
    • The Spirit of Our Time

    • Hausmann, Raoul (1886-1971)
    • The Spirit of Our Time
    • Man-made combine of everyday objects attached to a fake human head
    • Everyday objects
    • House of Gris Gris

    • Saar, Alison (1956- ); Saar, Betye (1926- )
    • House of Gris Gris
    • Small camouflaged shack, hanging cut-out of wings, pile of rocks
    • Mixed media installation
    • The Identity of Departure

    • Muoz, Juan (1953-2001)
    • The Identity of Departure
    • Geometric floor pattern with wall-mounted figure positioned sideways
    • Mixed media installation
    • The Egg

    • Bentivoglio, Mirella (1922- )
    • The Egg
    • Installation view of a large sculpted egg in Gubbio, Italy
    • Stone
    • Dr. Damballa's Ju-Ju

    • Saar, Betye (1926- )
    • Dr. Damballa's Ju-Ju
    • Free-standing assemblage resembling a type of altar; includes a male figure and a snake
    • Mixed media assemblage
    • Greed's Trophy

    • Puryear, Martin (1941- )
    • Greed's Trophy
    • Large net structure with small handle
    • Hickory, ebony, rattan, steel, and wire
    • Man in a Boat

    • Mueck, Ron (1958- )
    • Man in a Boat
    • Sculpture of a nude middle aged male sitting in a skiff-like boat
    • Mixed media
    • Borrowing Your Enemy's Arrows

    • Guo-Qiang, Cai (1957- )
    • Borrowing Your Enemy's Arrows
    • Installation view from above, ""Inside Out: New Chinese Art"" at PS1 Contemporary Art Center, New York City, showing a boat form suspended in the air above the viewers; boat has been shot full of arrows (each arrow is 62 cm in length)
    • Wooden boat, 3000 arrows, electric fan, Chinese flag
    • The Other Shore

    • Guo-Qiang, Cai (1957- )
    • The Other Shore
    • Bamboo bridge; ""On life, beauty, translation and other difficulties;"" as seen at the 5th Istanbul Biennial
    • Bamboo
    • Returning Light: The Dragon Bone (Keel)

    • Guo-Qiang, Cai (1957- )
    • Returning Light: The Dragon Bone (Keel)
    • Installation view, ""From the Pan-Pacific"" exhibition, Iwaki City Art Museum, Japan, of a wooden ship excavated on Onahama Kajiro Beach with nine tons of salt, plastic wrap, styrene foam, and fish
    • Wooden ship, salt, plastic wrap, styrene foam, and fish
    • Borrowing Your Enemy's Arrows

    • Guo-Qiang, Cai (1957- )
    • Borrowing Your Enemy's Arrows
    • Installation view from below, ""Inside Out: New Chinese Art"" at PS1 Contemporary Art Center, New York City, showing a boat form suspended in the air above the viewers; boat has been shot full of arrows (each arrow is 62 cm in length)
    • Wooden boat, 3000 arrows, electric fan, Chinese flag
    • Domboshawa

    • Edwards, Melvin (1937- )
    • Domboshawa
    • Lynch fragments
    • Welded steel;
    • Gamin

    • Savage, Augusta (1892-1962)
    • Gamin
    • Bust of a young boy
    • Bronze;
    • Bound Square

    • Winsor, Jackie (1941- )
    • Bound Square
    • wood frame bound by hemp at corners
    • wood and hemp
    • The Wait

    • Kienholz, Edward (1927-1994);
    • The Wait
    • M/M Tableau of collaged woman seated in central chair among living room furnishings; tableaux
    • Mixed media;
    • Untitled

    • Le Witt, Sol (1928- )
    • Untitled
    • Gridded cube
    • Painted aluminum;
    • Atomic Love

    • Skogland, Sandy (1946- )
    • Atomic Love
    • Altered space with figures. Tableu of dark yellow sculpted human figures with small black dots covering them
    • Color photography; Cibachrome print;
    • The Cocktail Party

    • Skogland, Sandy (1946- )
    • The Cocktail Party
    • Altered space with figures. Installation with cheese snacks epoxied to surfaces of furniture and sculptured human figures
    • Furniture; Cheese snacks; Sculptures
    • The Cocktail Party

    • Skogland, Sandy (1946- )
    • The Cocktail Party
    • Altered space with figures. Installation with cheese snacks epoxied to surfaces of furniture and sculptured human figures
    • Color photography; Cibachrome print; Furniture; Cheese snacks; Sculptures
    • Revenge of the Goldfish

    • Skogland, Sandy (1946- )
    • Revenge of the Goldfish
    • Altered space with figures. Installation with orange goldfish and boys in their bedroom where everything is blue
    • Color photography; Cibachrome print;
    • Radioactive Cats

    • Skogland, Sandy (1946- )
    • Radioactive Cats
    • Altered space with figures. Installation with green cats in grey environment with two people facing away
    • Color photography; Cibachrome print;
    • Concave Bull Jumper

    • Starn, Douglas (1961- ); Starn, Michael (1961- );
    • Concave Bull Jumper
    • Form of bull jumper suspended in air
    • Ortho film; Wood; Silicone; Iron pipe; Pipe clamps
    • Forever Free

    • Johnson, Sargent Claude (1887-1967)
    • Forever Free
    • Sculpture of standing African-American woman
    • Wood with lacquer on cloth
    • Concave, Convex Bull Jumper

    • Starn, Douglas (1961- ); Starn, Michael (1961- );
    • Concave, Convex Bull Jumper
    • Form of bull jumper suspended in air
    • Black and white photography; Wood; Ortho film; Silicone; Pipe clamps; Iron pipe;
    • The Spell

    • Puryear, Martin (1941- );
    • The Spell
    • Abstract cone shapes
    • Pine; Cedar; Steel;
    • Whose Ice is Colder

    • Hammons, David (1943- );
    • Whose Ice is Colder
    • Installation view of various flags and sculptural pieces
    • Flags, oil drums, and ice;
    • Vertiginous Detour

    • Hesse, Eva (1936-1970)
    • Vertiginous Detour
    • Enamel, rope, net, plaster and paper mache'. Hanging ball with netting over the top
    • Mixed media;
    • Zulu

    • Benglis, Lynda (1941- )
    • Zulu
    • Silver material knotted and hanging on the wall
    •  
    • Inside I

    • Hesse, Eva (1936-1970)
    • Inside I
    • Box with forms on the inside
    • Acrylic paint over paper mache', twine, wire over
    • Omega

    • Benglis, Lynda (1941- )
    • Omega
    • Sparkle, enamel, silver paint on plaster, cotton, bunting and aluminum screen/ abstract form painted with colorful paint spashed on
    • Mixed media;
    • Felt Suit

    • Beuys, Joseph (1921-1986);
    • Felt Suit
    • Sewn suit of felt
    • Felt
    • Contraband

    • Bengalis, Lynda (1941- )
    • Contraband
    • Form that looks like spilled paint on the floor
    • Latex
    • Tori

    • Hesse, Eva (1936-1970)
    • Tori
    • Reinforced fiberglass over wire mesh. Cylindrical forms with slash opening in resin - shown strewn on the floor
    • Mixed media;
    • Repetition Nineteen III

    • Hesse, Eva (1936-1970)
    • Repetition Nineteen III
    • Cylinder forms made out of resin standing together on the floor
    • Fiberglass, polyester resin
    • Heraklion

    • Bengalis, Lynda (1941- )
    • Heraklion
    • Chicken wire, cotton, plastic, gesso, gold leaf. Shiny gold twisted form
    • Mixed media;
    • Untitled (Face Box)

    • Samaras, Lucas (1936- );
    • Untitled (Face Box)
    • Wood, photo, pins, wool. Box with photographs on the outside and pins stuck in it
    • Mixed media;
    • Box #53

    • Samaras, Lucas (1936- );
    • Box #53
    • Colorful box with stuffed birds on top
    •  
    • Either War

    • Pfaff, Judy (1946- )
    • Either War
    • Installation of mixed mediums, wire
    • Mixed media;
    • Box # 64

    • Samaras, Lucas (1936- );
    • Box # 64
    • Cotton, pins and glass. White cotton box with pins stuck in it, glass balls inside
    • Mixed media;
    • Box No. 6

    • Samaras, Lucas (1936- );
    • Box No. 6
    • Wool, mirror, nails, and wood. White box with redm green, and white wool over the top and pins stuck to the bottom
    •  
    • Bureau de Moules

    • Broodthaers, Marcel (1924-1976)
    • Bureau de Moules
    • Media: Bureau, mussel shells, paint, resin. Bureau with mussel shells on top
    • Mixed media;
    • Amoire d' Oeufs

    • Broodthaers, Marcel (1924-1976)
    • Amoire d' Oeufs
    • Cuboard with eggshells on top
    • Mixed media;
    • 3-D

    • Pfaff, Judy (1946- );
    • 3-D
    • Installation piece of mixed media
    • Mixed media;
    • Packed Bottles & Cans

    • Javacheff, Christo (1935- );
    • Packed Bottles & Cans
    • Different shaped cans, bottles, alquered canvas wrapped with twine.
    • Mixed media;
    • Wrapped Painting

    • Javacheff, Christo (1935- );
    • Wrapped Painting
    • Paintings wrapped with tarps and rope
    • Tarp and rope
    • Time Span

    • Holt, Nancy (1938- )
    • Time Span
    • Steel core in ground at center of shadow at rotating wheel marks the moment in time that the sculpture was completed
    • Conrete, stucco, and steel
    • Star - Crossed

    • Holt, Nancy (1938- );
    • Star - Crossed
    • Two concrete tunnels, placed inside a large mound of earth, with one tunnel directed town to a pool dug into the earth
    • Concrete; Earth;
    • Dark Star Park

    • Holt, Nancy (1938- );
    • Dark Star Park
    • Three large concrete sphere hovering above, or just adjacent two two pools
    • Concrete; Steel; Water; Earth;
    • Wedding Chapel IV

    • Nevelson, Louise (1899-1988)
    • Wedding Chapel IV
    • Cream colored box structure with painted parts like a machine
    • Painted wood;
    • Untitled, Medici Princess

    • Cornell, Joseph (1903-1972)
    • Untitled, Medici Princess
    • Wooden box with photograph of girl and misc other photos and maps
    • Wood; Mixed media;
    • The Spell

    • Puryear, Martin (1941- );
    • The Spell
    • thin wooden cone shape within wire cone shape
    • Pine, cedar, steel
    • Maroon

    • Puryear, Martin (1941- );
    • Maroon
    • Steel mesh covers the bottom, basin-like form in the round and morphs into a portal like top of exposed wood.
    • Steel mesh, tar, pine and yellow poplar;
    • Miliki

    • Edwards, Melvin (1937- );
    • Miliki
    • Lynch fragments welded together, displayed as a wall hanging
    • Welded steel;
    • Panola

    • Edwards, Melvin (1937- );
    • Panola
    • Lynch fragments welded togher, displayed as a wall hanging
    • Welded steel;
    • Forever Free

    • Johnson, Sargent Claude (1887-1967);
    • Forever Free
    • Media: Wood, lacquer, cloth; A carved statue, totemic in form, depicting an African-American woman in white bouse and blue skirt, itself having images of children around it.
    • Mixed media;
    • Fountion (Readymade)

    • Duchamp, Marcel (1887-1968);
    • Fountion (Readymade)
    • A readymade urinal, inverted, and signed with the pen name, R Mutt
    •  
    • Museum Tags: Second Movement (Overture)

    • Martinez, Daniel Joseph (1957- )
    • Museum Tags: Second Movement (Overture)
    • Also called Overture Con Claque (Overture with Hired Audience Members); tags read "I can't imagine ever wanting to be white."
    • Museum tags
    • Dying Slave

    • Saar, Alison (1956- );
    • Dying Slave
    • a standing male figure with abdomen area carved into and left hollowed
    • Wood; Tin; Mixed media
    • House of the Future

    • Hammons, David (1943- );
    • House of the Future
    • House built on the corners of America & Reid Streets, Charleston, S.C., with contractor Albert Alston; Spoleta USA, May 24 - August 4, 1991
    • Mixed media;
    • Alterations

    • Edwards, Melvin (1937- );
    • Alterations
    • Welded steel form
    • Welded Steel
    • Vietnam Veterans Memorial

    • Lin, Maya (1959- );
    • Vietnam Veterans Memorial
    • Black grantie wall with the names of all the soldiers who lost their lives in the Vietnam War engraved into it.
    • Black granite
    • Vietnam Veterans Memorial

    • Lin, Maya (1959- );
    • Vietnam Veterans Memorial
    • Black grantie wall with the names of all the soldiers who lost their lives in the Vietnam War engraved into it.
    • Black granite
    • Mask, Mali

    •  
    • Mask, Mali
    • Photographic documentation of Kanga Masked dancers
    • Wood;
    • Hang Up

    • Hesse, Eva (1936-1970);
    • Hang Up
    • Hung frame with wire coming from the top of the frame, descending out and down upon the floor, where it makes contact and enter back into the frame's lower right corner.
    • Acrylic; Cloth; Wood; Steel
    • Fetish #2 (two views)

    • Stout, Renee (1958- );
    • Fetish #2 (two views)
    • Female figure with adorments, one is photographic in nature
    • Mixed media sculpture
    • Pentecost

    • Hawkinson, Tim (1960- )
    • Pentecost
    • Twelve figures based on the Bathtub-Generated Contour Lace pattern were suspended within the branches of a tree.
    •  
    • Magdalen

    • Hawkinson, Tim (1960- )
    • Magdalen
    • appears as a gargantuan blown-out truck tire, meticulously fabricated by the artist out of sundry materials
    •  
    • Blindspot (Fat Head)

    • Hawkinson, Tim (1960- )
    • Blindspot (Fat Head)
    • an allegory of the development of human consciousness over a lifetime, Acne, warts and the opening to an anus all reveal themselves as though on the skinned hide of a slaughtered man.
    •  
    • Signature

    • Hawkinson, Tim (1960- )
    • Signature
    • A machine that signs the artists name onto a roll of paper, chops it off, and drops it into a pile
    •  
    • Untitled (Chicken)

    • Hawkinson, Tim (1960- )
    • Untitled (Chicken)
    • The skin, carefully kept intact, was removed from a chicken and then stretched and dried over a wire armature.
    •  
    • Shorts

    • Hawkinson, Tim (1960- )
    • Shorts
    • A functioning extension cord woven into the shape of a pair of shorts
    •  
    • Signature (detail)

    • Hawkinson, Tim (1960- );
    • Signature (detail)
    • A slip of paper, signed onto and cut off from the machine mounted to the desk
    • Paper;
    • Left side, Signature; Right Side, Bagpipe

    • Hawkinson, Tim (1960- );
    • Left side, Signature; Right Side, Bagpipe
    • The big green bag is a lung that blows air through the three longer tunes suspended from the ceiling, while the other free standing structure tells the bagpipe what to play; the desk piece signs the artist's signature on pieces of paper.
    • Mixed media
    • Shrink (detail)

    • Hawkinson, Tim (1960- );
    • Shrink (detail)
    • By maintaining a proportional distance between the disks and the vanishing point, the chair is effectively shrunk.
    •  
    • Shrink

    • Hawkinson, Tim (1960- );
    • Shrink
    • Core samples of 1/8" taken at approximately 1" intervals were drilled out of a wooden chair. Each disk was positioned on a thread that connects the disk's original position on the chair to a vanishing point just to the left of the chair.
    •  
    • Black Dragon

    • Abramovic', Marina (1946- )
    • Black Dragon
    • three blocks block of red clay, mounted on the wall, with instructions for the public to face the wall, and press their head, heart, sex against the mineral pillows. Duration : endless.
    •  
    • Mirror for Departure

    • Abramovic', Marina (1946- )
    • Mirror for Departure
    • Image of the artist, in her Berlin studio, placing a model head, face down into circular slab of clay to get the impression.
    •  
    • Elephant Skin #2

    • Hawkinson, Tim (1960- );
    • Elephant Skin #2
    • Urethane foam, poured in the general configuration of a splayed elephant, was covered with aluminum foil and patterned with incised lines that duplicate the wrinkles of an elephant's skin.
    •  
    • Penitent

    • Hawkinson, Tim (1960- );
    • Penitent
    • Rawhide dog bones were assembled into a human skeleton. The ribcage houses a device that emits a whistle as if calling for a dog.
    •  
    • Drip

    • Hawkinson, Tim (1960- );
    • Drip
    • A sort of drumming machine. The spin frequencies of a train of gears are randomly sampled, mixed, and synchronized to generate a nonrepeating rhythmic pattern. The pattern is heard as the water dripping into the buckets from the ends of tentacles.
    •  
    • Humongolous (detail)

    • Hawkinson, Tim (1960- );
    • Humongolous (detail)
    • A detail of an expansion of the areas that were more accessible to the artist line of sight.
    •  
    • Humongolous

    • Hawkinson, Tim (1960- );
    • Humongolous
    • A map charting all the surfaces of the artist's skin that he could see directly. Starting with his left hand, he gridded off his palm and depicted it. He then wound up his hand, arm, and across the rest of his body. Mapping the body.
    •  
    • Art Vital/Detour

    • Abramovic', Marina (1946- )
    • Art Vital/Detour
    • sound and video installation inside of a bus that the artist lived and traveled in with her partner
    •  
    • Root Ball

    • Hawkinson, Tim (1960- );
    • Root Ball
    • Cardboard tubes, corrugated cardboard, paper, rope, string, and twine make up bark, trunk growth rings, and roots.
    •  
    • Drain and Plug

    • Hawkinson, Tim (1960- );
    • Drain and Plug
    • These are the photographs used for Bathtub-Generated Contour Lace cut out.
    • Chromogenic print;
    • Emoter (detail)

    • Hawkinson, Tim (1960- );
    • Emoter (detail)
    • Patterns of light and dark emanating from a television set are translated into signals that control the features of his face, eyes, ears, nose, mouth - all of which have been cut up and hinged together into a two dimensional puppet.
    •  
    • Emoter (detail)

    • Hawkinson, Tim (1960- );
    • Emoter (detail)
    • Patterns of light and dark emanating from a television set are translated into signals that control the features of his face, eyes, ears, nose, mouth - all of which have been cut up and hinged together into a two dimensional puppet.
    •  
    • Emoter (detail)

    • Hawkinson, Tim (1960- );
    • Emoter (detail)
    • Patterns of light and dark emanating from a television set are translated into signals that control the features of his face, eyes, ears, nose, mouth - all of which have been cut up and hinged together into a two dimensional puppet.
    •  
    • Emoter (detail)

    • Hawkinson, Tim (1960- );
    • Emoter (detail)
    • Patterns of light and dark emanating from a television set are translated into signals that control the features of his face, eyes, ears, nose, mouth - all of which have been cut up and hinged together into a two dimensional puppet.
    •  
    • Uberorgan

    • Hawkinson, Tim (1960- );
    • Uberorgan
    • The artist describes it as a giant self-playing reed organ.
    •  
    • Three Bowls

    • Von Rydingsvard, Ursula (1942 - )
    • Three Bowls
    • Three large bowl like forms, made of multiple stacks of wood, cut and charred, stacked upon eachother to reveal these large forms outside
    • Wood;
    • Small Sculptures of the 70s

    • Tuttle, Richard (1941- )
    • Small Sculptures of the 70s
    • Photographic documentation of an installation view of the 1998 exhibtion, Richard Tuttle: Small Sculptures of the 70s at Annemarie Verna, Galerie, Zurich; left view
    • Mixed media
    • You Went and Died

    • Von Rydingsvard, Ursula (1942 - )
    • You Went and Died
    • Wooden 2 x 4's glued together and carved into to reveal 9 appendage-like concavities of negative forms.
    • Wood;
    • White Rocker

    • Tuttle, Richard (1941- )
    • White Rocker
    • 2 semi-circles of cut from wood, and nailed to a horizontal strip of wood, and painted white.
    • wood
    • Lines

    • Tuttle, Richard (1941- )
    • Lines
    • 2 pieces of sheet, galvanized metal, curving in parallel lines and forms
    • Metal
    • Waferboard 8

    • Tuttle, Richard (1941- )
    • Waferboard 8
    • partical board cut in a shape then painted with bright colors
    •  
    • Sentences III

    • Tuttle, Richard (1941- )
    • Sentences III
    • painted wood free standing form with lightbulbs attached
    •  
    • Ten, D

    • Tuttle, Richard (1941- )
    • Ten, D
    • square boards painted with geometric and organic shapes hung in a pyramid
    • Wood; Paint;
    • Waferboard 3

    • Tuttle, Richard (1941- )
    • Waferboard 3
    • partical board cut into a shape and painted in different shades of blue
    • Wood; Paint;
    • Done by Women not Men

    • Tuttle, Richard (1941- )
    • Done by Women not Men
    • various painted objects sitting on the floor or hanging on the wall with lit light fixtures and a string of bulbs
    •  
    • Six

    • Tuttle, Richard (1941- )
    • Six
    • 2x2" pieces of wood wired together with white and black pieces of fabric over
    •  
    • Ene, due, rabe

    • Von Rydingsvard, Ursula (1942 - )
    • Ene, due, rabe
    • A huge floor installation of carved wood, stack upon each other making a floor covering with negative space hollowed out in a repeating like pattern; left side
    • Wood;
    • Iggy's Pride

    • Von Rydingsvard, Ursula (1942 - )
    • Iggy's Pride
    • Multiple planks of wood, stacked into multpile piles, jetting out from a concrete embankment set in the middle of a grassy hillside
    • Wood
    • Five Columns

    • Von Rydingsvard, Ursula (1942 - )
    • Five Columns
    • Multiple stacks of wood, piece set one on top of the other, forming various columns of charred and carved into rough wooden forms
    • Wood
    • Swing Low

    • Lipton, Seymour (1903-1986)
    • Swing Low
    • Human figure with feet tied together and arms reaching out in opposite direction
    • Rosewood
    • Wounded Soldier

    • Lipton, Seymour (1903-1986)
    • Wounded Soldier
    • Geometrically sculpted slumped figure with reddish brown finish
    • Oak

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