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(135 results)



Display: 200

    • Silk Road

    • Guo-Qiang, Cai (1957- )
    • Embroidery on silk of cultural destruction throughout the ages: Center, burning of books and burying of Confucian scholars by Shi Huang Di (221 BC); left of center, Nazi book burning in 1930s; right of center, Fluxus performance of breaking a...
    • Embroidery, silk
    • Refraction

    • Mik, Aernout (1962-)
    • Three-channel video installation; Cars backed-up on the left side of the road, field on left and right side
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    • Silk Road (detail)

    • Guo-Qiang, Cai (1957- )
    • Embroidery on silk of cultural destruction throughout the ages: (Left end) occupation of Yasuda Lecture hall, University of Tokyo, by Japanese students
    • Embroidery, silk
    • Silk Road (detail)

    • Guo-Qiang, Cai (1957- )
    • Embroidery on silk of cultural destruction throughout the ages: (Left of center) Nazi book burning in 1930s
    • Embroidery, silk
    • Stonehenge

    • Caponigro, Paul (1932 - )
    • Silhouette of five stones with two of them on the left and right edges of the frame
    • Black and white photography;
    • Under a Rock

    • Holzer, Jenny (1950- );
    • "You spit on them because the taste left on your teeth excites. You showed hope all over your face for years and then killed them in the interest of time."
    • Black granite benches
    • Stonehenge

    • Caponigro, Paul (1932 - )
    • Silhouette of two medium sized stones with two larger stones on the left and right edges of the frame
    • Black and white photography;
    • County Sligo

    • Caponigro, Paul (1932 - )
    • Dark hills against a sky with small pale house in lower left corner
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    • Louis Henry Sullivan and His Wife

    • Sullivan, Louis H. (1856-1924);
    • Louis Henry Sullivan and his wife Margaret on the grounds of their vacation cottage, Ocean Springs, Mississippi. They married July 1, 1899. She left him at the end of 1909
    • Black and white photography;
    • The Huron Town of Hochelaga

    • Ramusio, Giovanni Battista (1485-1557)
    • In lower left, the French, under Jacques Cartier arrice on October 2, 1535; engraving from Giovanni Battista Ramusio, navigation et Viaggi, 1556; the site of present day Montreal
    • Intaglio;
    • Europe: Alicante, Spain

    • Metzker, Ray K. (1931- );
    • Composition split in half, man behind blinds in left composition, right side split vertically in two as well.
    • Black and white photography;
    • Olana (exterior)

    • Church, Frederic Edwin (1826-1900); Vaux, Calvert
    • Olana building exterior, at left is the studio wing, added 1888 - 91
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    • Back

    • Simpson, Lorna (1960- );
    • Diptic with left image the back head and shoulders of a figure, the right panel with text plaques surrounded by a long braid of hair
    • Color photography; Polaroid
    • Tenement Dwellers, Harlem

    • Parks, Gordon (1912-2006);
    • Reclining man with a cigarette in bed on left, seated woman looking out window on right
    • Black and white photography;
    • Emblems and Rites, no.53

    • Meatyard, Ralph Eugene (1925-1972)
    • Two human figures one in lower left corner, one in uppe right corner
    • Black and white photography;
    • Not Titled

    •  
    • One-sixth plate, presented against a dark ground (left) and a white ground (right)
    • Black and white photography; Ambrotype
    • Pine Wood

    • Tohaku, Hasegawa (1539-1610/1630);
    • Images of pine trees on the left of a pair of six fold screens
    • Ink on paper;
    • Ice Arch

    • Goldsworthy, Andy (1956- );
    • Ice. Left to freeze overnight, before supporting pile of stone's removed (made in a field with cows - a tense wait) pissed on stones too frozen to come out, fourth attempt successful other three arches collapsed or melted
    •  
    • Virgin and Child with St. Anne

    • Da Vinci, Leonardo (1452-1519);
    • Two adult figures looking at a child in the arms of the woman on the left
    • Black chalk; Pen and ink
    • National Museum of  the American Indian (interior)

    • Cardinal, Douglas (Blackfoot); Jones, John Paul (Choctaw and Cherokee); Native Consultants (left 1998);
    • Potomac Hall, a glassed oculus to the sky sits 120 feet above the floor, looking to east, at Smithsonian
    •  
    • The Dream

    • Rejlander, Oscar Gustav (1813-1875)
    • Sleeping man reclining on fainting couch with cage on left of image, small human figures scale the cage. Subtitle: Bachelor and the Threat of an Impending Marriage?
    • Black and white photography; Albumen print;
    • Piazza d' Italia (night)

    • Moore, Charles (1925-1993); August Perez Associates
    • Tuscan order at right is 'fluted' with water, doric to left has 'wetopes' (metopes) and Moore's face spitting water.
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    • Vertical Christ With Black

    • Starn, Douglas (1961- ); Starn, Michael (1961- );
    • Photo collage, black on left, image of Christ on right
    • Toned silver print; Tape;
    • The American School

    • Pratt, Matthew (1734-1805);
    • Benjamin West at left in green instructing Pratt seated next to him and others
    • Oil on canvas;
    • Room #1

    • Uelsmann, Jerry N. (1934- );
    • Portrait of woman, on her left silhouette of figure in door with shirt lying floor, on right silhouette of figure in window
    • Black and white photography;
    • Women on the Move for the Exodus

    • Daumier, Honore (1808 - 1879)
    • Back view of main figure with basket in her left hand and the hand of her child in the right
    • Crayon, red chalk and wash, heightened with pen
    • Room of Masks: West Wall

    •  
    • Perspective. Architectural painting with a figure head on the left and right and a pillar shaped object in the center, image rendered with concern for perspective into space
    • Wall painting
    • Pictured (Left) and Real (Right) Horizons

    •  
    • Perspective; Drawing; PaintingThe author's mother never saw the sea until she was about seven years old. She had supposed that it stood up vertically, like a high wall. Her idea probably based on a picture with a high horizon, hung well above her...
    •  
    • Two Rye Coil Bee Skeps

    •  
    • on left: European Wide Coil Skep with wooden plug at top &platform for landing bees. Right: American with small slit at entrance at bottom coil &crossing sticks for comb.
    •  
    • Red and Yellow Streaks

    • Bullock, Wynn (1902-1975);
    • Abstraction. Left end slightly cropped. Apeture '69
    • Color photography;
    • No Title

    • Hopper, Dennis
    • David Hockney;background material; Left to right; Andy Warhol, Henry Geldzahler, David Hockney, Jeff Goodman in New York in Dec. 1963
    • Black and white photography;
    • Confucius Diary-Vancover

    • Gu, Wenda (1955- )
    • artist as cross-cultural ambassador: left side is red velvet chinese scolar's robe, right is a red velvet tuxedo next to a donkey
    •  
    • Dying Slave

    • Saar, Alison (1956- );
    • a standing male figure with abdomen area carved into and left hollowed
    • Wood; Tin; Mixed media
    • Where are the Great Men Artists?

    • Neal Slavin (1941- )
    • Magazine cover with women artists entitled above their heads reads Where are the Great Men Artists. Up Down (left to right, bottom row) Barbara Zucker, Faith Ringgold, Barbara Schwartz; (second row) Rosemarie Castoro, Charmion von Wiegand, Louise...
    • C Print;
    • The Four Joys of Nan Shend-Lu

    • Hong-Shou, Ch'en
    • Paper weight is a carved lion, to the left is the inkstone and ink stick, and bowl of water with a ladling spoon, as the scholar begins to write; from A. Robinson's "The Story of Writing", in 1995.
    •  
    • The Ohio Project(9)

    • Lee, Nikki S. (1970- );
    • Nikki as a lower class teenager, recling on a women's front steps, with her sitting to her left
    • Color photography
    • Letter to Bo Yuan

    • Wang, Xun (350 - 401)
    • Scroll with three panels, Center panel caligraphy by Wang Xun (350 - 401 CE), characters on left panel by Dong Qichang (1955 - 1636), right panel by the Qianlong emperor (1736 - 95), the painting of the tree is also by the emperor.
    • Caligraphy
    • Lessons of Darkness

    • Boltanski, Christian (1944- );
    • 7 groups of images and lights with large image in middle with two smaller images on top and bottom with the middle large image with two on left and right, lamps surround the grouping
    •  
    • Left side, Signature; Right Side, Bagpipe

    • Hawkinson, Tim (1960- );
    • The big green bag is a lung that blows air through the three longer tunes suspended from the ceiling, while the other free standing structure tells the bagpipe what to play; the desk piece signs the artist's signature on pieces of paper.
    • Mixed media
    • Shrink

    • Hawkinson, Tim (1960- );
    • Core samples of 1/8" taken at approximately 1" intervals were drilled out of a wooden chair. Each disk was positioned on a thread that connects the disk's original position on the chair to a vanishing point just to the left of the chair.
    •  
    • Humongolous

    • Hawkinson, Tim (1960- );
    • A map charting all the surfaces of the artist's skin that he could see directly. Starting with his left hand, he gridded off his palm and depicted it. He then wound up his hand, arm, and across the rest of his body. Mapping the body.
    •  
    • Small Sculptures of the 70s

    • Tuttle, Richard (1941- )
    • Photographic documentation of an installation view of the 1998 exhibtion, Richard Tuttle: Small Sculptures of the 70s at Annemarie Verna, Galerie, Zurich; left view
    • Mixed media
    • Ene, due, rabe

    • Von Rydingsvard, Ursula (1942 - )
    • A huge floor installation of carved wood, stack upon each other making a floor covering with negative space hollowed out in a repeating like pattern; left side
    • Wood;
    • Mewar Memories

    • Woodman, Betty (1930- )
    • (Left vase of a group of three) Multicolored glazed earthenware vessel
    •  
    • Birth of Venus

    • Botticelli (1444-1510);
    • woman coming out of shell with two flying figures to her left and one figure covering her on her right
    • Tempera on canvas;
    • Rot Front

    • Gropper, William (1897-1977);
    • anti facist cartoon group of people on the right with fist raised, three people on the left with weapons
    •  
    • Rhythm of Land

    • Goldsmith, Shelly (1962- )
    • Tapestry with three image panels, left with image of woman, middle image of tree, right image of blue figure with red background.
    • Tapestry; Cotton; Wool; Silk
    • Venus Consoling Love

    • Bolicher, Francois (1703-1770)
    • Venus with angels to the right and left
    • Oil on canvas;
    • Kewpie Dolls

    • Kay Desmonde
    • two dolls with big stomachs
    • left; rubber right; celluloid
    • Kingsley Read's Shaw Alphabet

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    • George Bernard Shaw left money in his will to design a rational of at least 40 letters: talls, deeps, shorts, and compunds. The name of each letter is given beneathit, and its sound is printed in bold type; The Story of Writing
    •  
    • San Francisco Camera

    • Gerdes, Ingeborg
    • Woman on left standing in focus with large face blurry face to the right
    • Black and white photography;
    • San Jose de Tumacaori

    •  
    • Sanctuary; vestigles of plaster and painted ornament left incomplete when Pima Parishioners were forced away by Apache raids in 1848
    •  
    • San Jose de Tumacaori

    •  
    • South Front; left incomplete when Pima Parishioners were driven out by Apache raids in 1848 and fled 48 miles north to San Xavier del Bac
    •  
    • Fleischmann's Yeast

    • Rockwell, Norman (1894-1978)
    • Young boys in different costumes with text on top right and bottom left
    •  
    • Solvay House (interior stairwell)

    • Horta, Victor (1861-1947);
    • Stairwell seen from the first landing. At right, the dining room. At left, the drawing room. Ahead, the lightwell.
    •  
    • Woman's Building: Modern Woman

    • Cassatt, Mary (1844-1926);
    • Mural, left panel; girls pursuing fame right panes; women in the arts centre women picking the fruts of knowledge and science. Little appreciated in paris and chicago
    •  
    • Lipstick Monument

    • Oldenburg, Claes (1929- );
    • man on machine carrying lipstick model, man on left side, Yale University
    •  
    • Aybrey Beardaley

    • Evens, Frederick H.
    • Man facing the left with his hands on both sides of his face
    • Platinum print;
    • Marshalling Yard

    • Currier and Ives Print
    • Erie Rail Road, reference, three trains with people and a building on the left
    •  
    • Vin Miriani Poster

    • Cheret, Jules (1836-1932);
    • (photograph by: Jim Slauson), english text version, women in yellow with left leg up pouring wine into a glass
    •  
    • Horta House

    • Horta, Victor
    • stairway along with a doorway on the bottom left
    •  
    • Eames and Saarinen

    • Sarrinen, Eero and Charles Eames
    • Photograph of Charles Eames (left) and Eerp Saarinen (right)
    • Black and white photograph
    • Recumbent Figure

    • Moore, Henry (1898-1986)
    • Figure with an uneven sphere shape on the top left
    • green Hornton stone
    • Blue Green Red I

    • Kelly, Ellsworth(1923- )
    • Color field abstract painting; Minimalist painting in three parts; from left to right, blue, green and red dividing the canvas into thirds.
    • Oil on Canvas
    • Poster for IBM

    • Rand, Paul (1914-1996);
    • From left to right: an eye, a bee, and a letter 'M' with horizontal strips
    •  
    • Candlestick phones

    •  
    • Left: called an oil can because of the shape of its base and tapered shaft. Right: western electric version of a potbelly.
    •  
    • Study of a Male Nude Turning Left

    • Michelangelo (1475-1564);
    • Anatomical study of a nude male's side profile in motion with additional forearm study (battle of Cascina)
    • Black chalk, pencil, stylus
    • TV Still-Life

    • Thiebaud, Wayne (1920- );
    • TV on left with can behind it
    • Charcoal;
    • Hunger

    • Kollwitz, Kathe (1867-1945);
    • Figure at top left frightening the figures on the bottom half
    • Woodcut
    • Hunger

    • Kollwitz, Kathe (1867-1945)
    • Figure at top left frightening the figures on the bottom half
    • Woodcut
    • Cesca Chair

    • Breuer, Marcel (1902-1981);
    • chair with a black chair in the top left corner
    •  
    • Untitled

    • Clark, June (1941-)
    • Photo of a couple on the left, Text cut from newspaper on the right
    •  
    • Untitled

    • Althoff, Kai (1966-)
    • Image of two men sitting back to back, right in orange/red left in black, flowers on way right
    • Watercolor on paper
    • Untitled

    • Althoff, Kai (1966-)
    • Image of a man in green walking thrugh plants (left), man in green looking out a window (right)
    • Watercolor on paper
    • PMU (Painting Manufacture Unit)

    • Paine, Roxy (1966-)
    • Large metal unit with wheel chair on left side
    • Aluminum; stainless steel; computer; electronics; relays; custom software; acrylic; servo motors; valves; pump; precision track; glass; rubber
    • My Mountain, My Wind

    • Mutu, Wangechi (1972-)
    • Collage figure with person on top left side of head, butterfly above person
    • Ink; acrylic; collage; contact paper on Mylar
    • More Love Hours Than Can Ever Be Repaid

    • Kelley, Mike (1954-)
    • Stuffed animals and clothes (afghans) pinned to a wall, corn on the top corners, table with stuffed animals on left
    • Handmade stuffed animals and afghans sewn on canvas backing
    • Krefeld Project, Sunroom, Scene #1

    • Fischl, Eric (1948-)
    • Naked male standing by window (right side) women in black dress lounging on a white piece of furniture (left side)
    •  
    • Badge of Honor

    • Osorio, Pepón (1955-)
    • Right: multicolor and textured room with bed, left: jail cell bars, two screens-young male and older male
    • Mixed media; video installation
    • The Ohio Project (7)

    • Lee, Nikki S. (1970-)
    • Blonde women in white and pink sitting next to a male holding a gun, flag on left side (blue, white, red) with wording "I Ain't Coming Down"
    • Fujiflex C-print
    • Gaut the Red

    • Nolde, Emil (1863-1956);
    • Portrait of two figures staring toward the left
    • Watercolour
    • Art_017007

    • Bosch, Hieronymus (1450-1516)
    • The Garden of Earthly Delights Left Wing: Eden, Eve Presented to Adam (detail)
    •  
    • The Crossing

    • Viola, Bill (1951- )
    • Artist is annihilated by fire on left panel and on the right panel the artist is annihilated by water
    • Video projected onto a double sided screen

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