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Art Slides
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(96 results)



Display: 200

    • The Attitudes of Animals In Motion, Plate D

    • Muybridge, Eadweard (1830-1904);
    • The Attitudes of Animals In Motion, Plate D
    • Front of operating room in which are arranged parallel with the track, 24 cameras, at a distance of 12 inches from the center of each lens and an electro-shutter in front of each
    • Black and white photography;
    • Colored Faith

    • Gilbert (1943- ) and George (1942- );
    • Colored Faith
    • 4 black and white photograms, one each dyed yellow, green, blue and red (each an image of a cross)
    • Color photography; Photogram;
    • Simultaneous Contrast (Gray Squares)

    • Itten, Johannes (1888-1967)
    • Simultaneous Contrast (Gray Squares)
    • Illustration of simultaneous contrast with multiple figures; 31-36, each pure color square contains a small neutral gray square matching the background color in brilliance, each gray square seems to be tinged with the complementary of the...
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    • Five Seated Figures

    • Muoz, Juan (1953-2001)
    • Five Seated Figures
    • Five figures, each seated in a blocky chair, arranged to face each other; mirror hangs on wall behind figure at the head of the group
    • Resin and mirror
    • Borrowing Your Enemy's Arrows

    • Guo-Qiang, Cai (1957- )
    • Borrowing Your Enemy's Arrows
    • Installation view from above, ""Inside Out: New Chinese Art"" at PS1 Contemporary Art Center, New York City, showing a boat form suspended in the air above the viewers; boat has been shot full of arrows (each arrow is 62 cm in length)
    • Wooden boat, 3000 arrows, electric fan, Chinese flag
    • Borrowing Your Enemy's Arrows

    • Guo-Qiang, Cai (1957- )
    • Borrowing Your Enemy's Arrows
    • Installation view from below, ""Inside Out: New Chinese Art"" at PS1 Contemporary Art Center, New York City, showing a boat form suspended in the air above the viewers; boat has been shot full of arrows (each arrow is 62 cm in length)
    • Wooden boat, 3000 arrows, electric fan, Chinese flag
    • Wire Struck By Bullet

    • Edgerton, Harold (1903-1990)
    • Wire Struck By Bullet
    • Photo by stroboscopic light, duration of each exposure, one millionth of a second
    • Black and white photography;
    • Cubic Figures

    • Cambiaso, Luca (1527-1585)
    • Cubic Figures
    • Grouping of cubic figures doing acrobatics and climbing over each other
    • Quill and Bistre
    • Poppy Petals

    • Goldsworthy, Andy (1956- );
    • Poppy Petals
    • Early morning, before breeze strengthened, each petal licked and pressed to another to make a line about seven feet long
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    • Feathers Plucked From Dead Heron

    • Goldsworthy, Andy (1956- );
    • Feathers Plucked From Dead Heron
    • Feathers. Cut with sharp stone, stripped down one side, about three-and-a-half feet overall length, made over three calm days, cold frosty mornings, smell from heron pungent as each day warmed up
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    • Damp Sand

    • Goldsworthy, Andy (1956- );
    • Damp Sand
    • Sand. Hollowed out, soft red stone ground into powder around each rim
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    • Damp Sand

    • Goldsworthy, Andy (1956- );
    • Damp Sand
    • Sand. Hollowed out, soft red stone ground into powder around each hole
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    • Asia Pacific Ant Farm

    • Yanagi, Yukinori (1961- )
    • Asia Pacific Ant Farm
    • 36 plastic boxes, each 12 x 18", ants, colored sand, plastic tubes and pipes
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    • Gutenberg Bible, open to two pages

    • Gutenberg, Johann (c. 1387 - 1468)
    • Gutenberg Bible, open to two pages
    • Gutenberg Bible with illuminated headers and initials, first printed book from moveage type. Approximately 180 were produced and hand illuminated, so each copy is unique.
    • Book with illuminated pages
    • Gutenberg Bible, First page of Genesis

    • Gutenberg, Johann (c. 1387 - 1468)
    • Gutenberg Bible, First page of Genesis
    • Gutenberg Bible with illuminated headers and initials, first printed book from moveage type. Approximately 180 were produced and hand illuminated, so each copy is unique.
    • Book with illuminated pages
    • Portrait (Nine Faces)

    • Morimura, Yasumasa (1951- );
    • Portrait (Nine Faces)
    • After Rembrant: The Anatomy Lesson of Dr. Nicholaas Tulp 1632. Artist's self portrait inserted within each figure present.
    • Color photography;
    • Heart and Dagger

    • Mapplethorpe, Robert (1946 - 1989);
    • Heart and Dagger
    • Two hearts with a knife inside each one
    • Color photography;
    • Colored Black

    • Gilbert (1943- ) and George (1942- );
    • Colored Black
    • 4 black and white photograms, one each dyed yellow, green, blue and red
    • Color photography; Photogram;
    • Memory Warp II

    • Parada, Esther (1938- )
    • Memory Warp II
    • 25 prints mounted continuously in five rows of 5 prints each: image of a nude old woman with text overlay.
    • Black and white photography; Collage;
    • Not Titled

    • Kuehn, Heinrich (1866-1944)
    • Not Titled
    • Boy and girl in blue school uniforms staring into each others eyes, boy holding an art print
    • Color photography; Autochrome;
    • Reserve: The Dead Swiss

    • Boltanski, Christian (1944- );
    • Reserve: The Dead Swiss
    • 2580 metal bstacks and stacks of metal boxes with single black and white portrait on each boxes and 2580 B&W photos
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    • Monument: The Children of Dijon

    • Boltanski, Christian (1945- )
    • Monument: The Children of Dijon
    • Pyramid structure with light cords going up to scattered portraits with single light above each in large room with arched windows
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    • Reserve: Detective, from 'Inventory'

    • Boltanski, Christian (1945- );
    • Reserve: Detective, from 'Inventory'
    • Wood shelves with many cardboard boxes with numbers hand written and a black and white photo on outside of each box. Lamps on top of shelf illuminating boxes
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    • Monument

    • Boltanski, Christian (1944- );
    • Monument
    • rectangle grid with three 2D pyramids with a few photos, light bulbs at the top of each pyramid with the web like light cords exposed
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    • Shrink

    • Hawkinson, Tim (1960- );
    • Shrink
    • Core samples of 1/8" taken at approximately 1" intervals were drilled out of a wooden chair. Each disk was positioned on a thread that connects the disk's original position on the chair to a vanishing point just to the left of the chair.
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    • Imponderabilia

    • Abramovic', Marina (1946- );
    • Imponderabilia
    • Two bodies, one of the artist, standing naked in the main entrance of the musuem, facing each other. The public entering the museum has to pass through the small space between them.
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    • Private Archaeology

    • Abramovic', Marina (1946- );
    • Private Archaeology
    • Detail from Private Archeology and what is in each tray, a system of images and writing and lines.
    • Mixed media
    • Ene, due, rabe

    • Von Rydingsvard, Ursula (1942 - )
    • Ene, due, rabe
    • A huge floor installation of carved wood, stack upon each other making a floor covering with negative space hollowed out in a repeating like pattern; left side
    • Wood;
    • Walking Tea Service

    • Napiorkowska, Danka
    • Walking Tea Service
    • White teaset with legs attached to the bottom of each piece
    • Earthenware, glazes;
    • Mahana No Atua (The Day of the God)

    • Gauguin, Paul (1848-1903);
    • Mahana No Atua (The Day of the God)
    • Landscape with a central god-like dark figure and 3 people in forground, 4 people slightly behind central figure (2 on each side, one in white clothes, the other in red) and a few other in distance. On a shoreline
    • Oil on canvas;
    • Mahana No Atua (The Day of the God)

    • Gauguin, Paul (1848-1903);
    • Mahana No Atua (The Day of the God)
    • Landscape with a central god-like dark figure and 3 people in forground, 4 people slightly behind central figure (2 on each side, one in white clothes, the other in red) and a few other in distance.
    • Oil on Canvas
    • Narcissus

    • Scheuer, Ruth
    • Narcissus
    • 3 sets of a male person looking at one's self, each one wearing a red shirt with a blue background and text across image
    • wool; cotton; silk; plexiglass
    • Spaces Between

    • Baldessari, John (1931- )
    • Spaces Between
    • Six photos of space between individuals placed on top of each other
    • Black and white photograph;
    • Die

    • Ringgold, Faith (1930- );
    • Die
    • People stabbing each other
    • Oil on canvas
    • Midway Plaisance

    • Farris, George (1859-1896)
    • Midway Plaisance
    • General View of Ferris Wheel; 36 cars carrying 40 passengers each; built to rival the Eiffel Tower of the 1889 Paris Universal Exhibition; World's Columbia Exposistion 1893
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    • Kingsley Read's Shaw Alphabet

    •  
    • Kingsley Read's Shaw Alphabet
    • George Bernard Shaw left money in his will to design a rational of at least 40 letters: talls, deeps, shorts, and compunds. The name of each letter is given beneathit, and its sound is printed in bold type; The Story of Writing
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    • Atom clock

    • Nelson, George (1908-1986);
    • Atom clock
    • clock with extentions off the hours with balls at the end of each
    •  
    • Four Campbell's Soup Cans

    • Warhol, Andy (1928-1987)
    • Four Campbell's Soup Cans
    • Four Campbell's' tomato soup cans each varying in color
    • Silkscreen ink; Polymer on canvas
    • Flags

    • Johns, Jasper (1930- )
    • Flags
    • Two American flags next to each other
    • Oil on canvas;
    • Three Flags

    • Johns, Jasper (1930- )
    • Three Flags
    • Three American flags stacked on top of each other
    • Encaustic on canvas
    • Campbell's Soup Cans

    • Warhol, Andy (1928-1987)
    • Campbell's Soup Cans
    • 32 Campbell's soup can painting, each a different variety of soup
    • Synthetic polymer on canvas
    • Sparticus

    • Rand, Paul (1914-1996)
    • Sparticus
    • (photograph by: Jim Slauson), film design and direction, many squares with different actions going on in each one
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    • Sparticus

    • Bass, Saul (1920-1995);
    • Sparticus
    • (photograph by: Jim Slauson), film design and direction, many squares with different actions going on in each one
    •  
    • The Two Fridas

    • Kahlo, Frida (1910-1954);
    • The Two Fridas
    • Two Fridas sitting next to each other with their hearts exposed
    • Oil on canvas
    • Untitled

    • Kuehn, Heinrich (1866-1944)
    • Untitled
    • Boy and girl in blue school uniforms staring into each others eyes, boy holding an art print
    • Color Photography; Autochrome
    • Four Campbell's Soup Cans

    • Warhol, Andy (1928-1987);
    • Four Campbell's Soup Cans
    • Four Campbell's' tomato soup cans each varying in color
    • Silkscreen ink and polymer on canvas
    • Hallelujah

    • Vidor, King
    • Hallelujah
    • Staring Daniel L. Haynes; A number of trucks full of cotton in a row with two men sitting on the last wagon smiling at each other
    • Film still
    • The Awful Truth

    • McCarey, Leo
    • The Awful Truth
    • Staring Cary Grant and Irene Dunne; Man and woman staring at each other in a domestic scene
    • Film stills;
    • Golden Positions

    • Broughton, James
    • Golden Positions
    • Two nude woman with gloves, hats and shoes on facing each other in wooden chairs drinking tea
    • Film stills;
    • Design for Dome of U.S. Capitol

    • Walter, Thomas Ustick (1804-1887)
    • Design for Dome of U.S. Capitol
    • Combined elevation and section of the double dome illustrates the relative position of each and the trussed ribs that support both.
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    • The Mothers

    • Kollwitz, Kathe (1867-1945)
    • The Mothers
    • A large group of woman hugging each other in one large group
    • Woodcut
    • Les Fetiches

    • Jones, Lois Mailou (1905- );
    • Les Fetiches
    • Several masks on top of each other
    •  
    • The Water Quilt

    • Wieland, Joyce (1931-)
    • The Water Quilt
    • White quilt with several small pieces tied together at the corners, image of flower on each piece
    •  
    • Color is Power: 119

    • Walker, Robert
    • Color is Power: 119
    • New York; Several billboards along side of each other, including advertisements for Banana Republic, Sealy, and Stella Artois
    • Colour photography
    • The Gray Scale

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    • The Gray Scale
    • Value scale in gray from black to white with circle of middle-value gray in each section
    •  
    • Folders VII: Different Colors Look Alike

    • Albers, Josef (1888-1976)
    • Folders VII: Different Colors Look Alike
    • Blue and red rectangles side by side, small square at the center of each rectangle, two small squares side by side in the top of larger rectangles
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    • Folders VII: Different Colors Look Alike

    • Albers, Josef (1888-1976)
    • Folders VII: Different Colors Look Alike
    • Pink and blue rectangles side by side, each with a small rectangle at its center, two small rectangles side by side at the top-center of the two large rectangles
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    • Folders IV: One Color Looks Like Two

    • Albers, Josef (1888-1976)
    • Folders IV: One Color Looks Like Two
    • Blue and yellow rectangles side by side, each with a smaller rectangle at the center that contains a waffle-like grid of squares
    •  
    • Devil, Angel, World

    • Balkenhol, Stephan (1957- )
    • Devil, Angel, World
    • A devil and an angel, each dressed in contemporary clothing, standing on raised platforms, and a globe on a pedestal
    • Wawa wood and paint
    • Seven Frames

    • Weiwei, Ai (1957- )
    • Seven Frames
    • Line of photographs, each showing a portion of a soldier starting at the feet and incrementally working up to the face
    • Gelatin Silver Print; Black and white photography
    • Stations (partial view)

    • Viola, Bill (1951- )
    • Stations (partial view)
    • Installation view at the American Center, Paris; five video projections on cloth screens of a human body submerged in water, beneath each is a ""reflecting pool"" of polished black granite
    • Video projection, cloth screens, black granite
    • Memory

    • Carnwath, Squeak (1947- )
    • Memory
    • Profile images of pairs of feet in each corner, with text over a red and black striped background
    • Oil, alkyo on canvas

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